Artist delights in beautiful ‘mess’ and dead trees of England’s rewilding sites
‘You don’t often see a dead tree in a painting’: Rebecca Howard working on one of her canvases. Photograph: c/o Rebecca HowardView image in fullscreen‘You don’t often see a dead tree in a painting’: Rebecca Howard working on one of her canvases. Photograph: Charlie Burrell/PA“I wanted to create a positive exhibition that people could view and feel empowered to do something of their own, and not feel totally overwhelmed by the challenges we face with our climate and biodiversity crisis,” said Howard.
- ▪‘You don’t often see a dead tree in a painting’: Rebecca Howard working on one of her canvases.
- ▪Photograph: c/o Rebecca HowardView image in fullscreen‘You don’t often see a dead tree in a painting’: Rebecca Howard working on one of her canvases.
- ▪Photograph: Charlie Burrell/PA“I wanted to create a positive exhibition that people could view and feel empowered to do something of their own, and not feel totally overwhelmed by the challenges we face with our climate and biodiversity cri
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| Original publisher | The Guardian — World |
| Canonical URL | https://www.theguardian.com/environment/2026/sep/12/artist-england-rewilding-sites-knepp-rebecca-howard |
| Publication time | Sat, 12 Sep 2026 05:00:24 GMT |
| Retrieval time | 2026-09-12T05:07:50.863Z |
| Last seen | 2026-09-12T05:07:50.863Z |
| Headline source | Publisher (no WeSearch rewrite) |
| Excerpt source | publisher body |
| Excerpt method | First ~120 words (~800 chars) of extracted publisher body, fair-use limited. |
| Summary | WeSearch · cerebras-chat (WeSearch summarizer) |
| Summary source text | contentText |
| Citation coverage | Summary is a WeSearch-generated derivative; primary citation is the original publisher URL. |
| Cluster | mzEwdNSmGEMY · 1 stories |
| Cluster logic | Grouped by semantic title/content similarity across sources within a rolling window. Same-publisher template collisions are excluded from coverage comparison. |
| Ranking reason | Story pages are not engagement-ranked. Hub feeds use recency, with optional source-diversified chronological ordering (cap consecutive stories per source). No personalized ranking. |
| Publisher visit | Yes — open original |
| Substitutes article? | No — link-out required for full text |
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| Indexing | May the item be indexed (stored, ranked, made findable)? | Allowed |
| Snippet | May a short excerpt of the publisher's text be shown? | Allowed |
| AI summary | May WeSearch generate its own short summary of the article? | Limited |
| Retrieval / RAG | May the content be exposed for third-party retrieval-augmented generation? | Not asserted |
| Model training | May the content be used to train AI models? | Not asserted |
| Commercial reuse | May the content be reused commercially? | Not permitted |
Basis: Derived from the published RSS/Atom feed. Contact: [email protected]. Reviewed: 2026-07-24.
Opening excerpt (first ~120 words) tap to expand
‘You don’t often see a dead tree in a painting’: Rebecca Howard working on one of her canvases. Photograph: c/o Rebecca HowardView image in fullscreen‘You don’t often see a dead tree in a painting’: Rebecca Howard working on one of her canvases. Photograph: c/o Rebecca HowardRewildingArtist delights in beautiful ‘mess’ and dead trees of England’s rewilding sitesRebecca Howard spent two years visiting projects and painting landscapes that feature in West Sussex exhibitionPatrick BarkhamSat 12 Sep 2026 01.00 EDTSharePrefer the Guardian on GoogleRewilding areas do not usually conform to traditional notions of beauty in England’s green and pleasant land.
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