WeSearch
Asghar Farhadi Lives in Iran, but Won’t Make Movies There

Asghar Farhadi Lives in Iran, but Won’t Make Movies There

Anne Thompson· ·6 min read · 0 reactions · 0 comments · 44 views
More from IndieWire film tv Compare coverage Trending Talk Blindspots Daily Sources Live wire
TL;DR · WeSearch summary

Asghar Farhadi has returned to the Cannes Competition with his film 'Parallel Tales,' inspired by Krzysztof Kieślowski's 'Dekalog: Six,' though he continues to live in Iran without making films there. Despite preferring to work in his native language and country, Farhadi has chosen to make films abroad due to restrictions on creative freedom in Iran. His latest project marks his second French-language film, reflecting his interest in exploring new cultural and linguistic contexts.

Key facts
About this source

IndieWire files mainly under film tv. We currently carry 117 of its stories.

Original article
IndieWire · Anne Thompson
Read full at IndieWire →

Story provenance

Source · retrieval · rights · ranking — open for full record
inspect →

Attribution is not the same as permission. This drawer separates discovery metadata, excerpts, WeSearch-generated summaries, reuse status, and whether the publisher receives the visit. Nothing here claims a legal grant the publisher has not made.

Record

Original publisherIndieWire
Canonical URLhttps://www.indiewire.com/features/interviews/asghar-farhadi-parallel-tales-cannes-interview-1235194397/
Publication timeSat, 16 May 2026 19:00:00 +0000
Retrieval time2026-05-16T19:10:19.020Z
Last seen2026-05-16T19:10:19.020Z
Headline sourcePublisher (no WeSearch rewrite)
Excerpt sourcepublisher body
Excerpt methodFirst ~120 words (~800 chars) of extracted publisher body, fair-use limited.
SummaryWeSearch · cerebras-chat (WeSearch summarizer)
Summary source textcontentText
Citation coverageSummary is a WeSearch-generated derivative; primary citation is the original publisher URL.
ClusteryVIvp-B1XVJf
Cluster logicGrouped by semantic title/content similarity across sources within a rolling window. Same-publisher template collisions are excluded from coverage comparison.
Ranking reasonStory pages are not engagement-ranked. Hub feeds use recency, with optional source-diversified chronological ordering (cap consecutive stories per source). No personalized ranking.
Publisher visitYes — open original
Substitutes article?No — link-out required for full text

Rights status (four layers)

Publisher-declared
No publisher-confirmed rights record for this source yet.
Machine-readable
No source-specific machine-readable restriction detected beyond the public feed.
WeSearch interpretation
WeSearch declared handling (basis: Derived from the published RSS/Atom feed). This is WeSearch policy, not a legal grant on the publisher's behalf.
Unknown
Retrieval and training permissions are not asserted unless the publisher confirms them.

WeSearch handling by dimension

Indexing May the item be indexed (stored, ranked, made findable)? Allowed
Snippet May a short excerpt of the publisher's text be shown? Allowed
AI summary May WeSearch generate its own short summary of the article? Limited
Retrieval / RAG May the content be exposed for third-party retrieval-augmented generation? Not asserted
Model training May the content be used to train AI models? Not asserted
Commercial reuse May the content be reused commercially? Not permitted

Basis: Derived from the published RSS/Atom feed. Contact: [email protected]. Reviewed: 2026-07-24.

Opening excerpt (first ~120 words) tap to expand

Asghar Farhadi returns to the Cannes Competition for the fifth time with his tenth feature, “Parallel Tales,” loosely inspired by the late Polish filmmaker Krzysztof Kieślowski’s 1988 “Dekalog: Six,” covering the commandment “Thou shalt not commit adultery.” Five years ago, Farhadi, who lives with his family in Tehran, was approached to participate in a TV series adapting all ten of the one-hour Dekalogs. Farhadi was not interested in making television and proceeded to shoot “A Hero” (2021), which won him the Cannes Grand Prix and also landed him in court on plagiarism charges. He was eventually acquitted on the grounds that the real-life incident that inspired the film, which a student in one of his film workshops turned into a documentary, was in the pubic domain.

Excerpt limited to ~120 words for fair-use compliance. The full article is at IndieWire.

Anonymous · no account needed
Share 𝕏 Facebook Reddit LinkedIn Threads WhatsApp Bluesky Mastodon Email

Discussion

0 comments

More from IndieWire