Chitra Lakshumanan explores the diversity in the Bharatanatyam repertoire
Chitra Lakshumanan performed a solo Bharatanatyam recital as part of the HCL Concert Series at The Music Academy. The performance featured a diverse repertoire that included pieces exploring themes of love, longing, and devotion. Chitra's expressive movements and the accompanying orchestra contributed to an engaging and emotionally resonant experience for the audience.
- ▪Chitra Lakshumanan is a disciple of Srekala Bharath and presented her recital at The Music Academy.
- ▪The performance included various compositions, showcasing a range of emotions and storytelling through dance.
- ▪Chitra's choreography balanced nritta and narrative expression, captivating the audience throughout the recital.
Opening excerpt (first ~120 words) tap to expand
The solo Bharatanatyam recital of Chitra Lakshumanan, disciple of Srekala Bharath, was presented as part of the HCL Concert Series at The Music Academy. Chitra commenced her performance with a shlokam on Muruga, followed by the Shadakshara Kouthuvam in raga Shanmukhapriya and Rupaka tala, a composition by Madurai R. Muralidaran. Adorned in a vibrant green and red costume, the dancer showcased precise hand movements and sharp footwork, which lent grace and stability to the performance.The next piece in the recital was Mandooka Shabdam in Ragamalika and Misra Chapu, a composition of the Tanjore Quartet. The piece narrates the story of a frog seeking divine intervention and salvation. Chitra’s sensitive interpretation drew the audience into the essence of the story.
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Excerpt limited to ~120 words for fair-use compliance. The full article is at The Hindu — Top.