Jim Rash’s Miss You, Love You is sad, funny and unexpected, but beautifully observed
Jim Rash's new film, Miss You, Love You, explores complex family dynamics through the lens of a funeral. The story follows Diane, who is dealing with the loss of her husband and her strained relationship with her son, Tyler, who sends his assistant to take his place at the funeral. As the characters navigate their emotions, the film delves into themes of unrequited love and the challenges of familial connections.
- ▪The film is based on Jim Rash's personal experience when his sister's assistant attended their father's funeral.
- ▪Diane, played by Allison Janney, has a complicated relationship with her adult son Tyler, who is a gay foreign correspondent.
- ▪The film was shot in 17 days with long takes, showcasing the depth of the characters and their interactions.
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Story provenance
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Record
| Original publisher | The Globe and Mail |
| Canonical URL | https://www.theglobeandmail.com/culture/film-and-tv/television/article-jim-rash-miss-you-love-you-janney-rannells/ |
| Publication time | Fri, 29 May 2026 10:00:00 +0000 |
| Retrieval time | 2026-05-29T10:05:00.327Z |
| Last seen | 2026-05-29T10:05:00.327Z |
| Headline source | Publisher (no WeSearch rewrite) |
| Excerpt source | publisher body |
| Excerpt method | First ~120 words (~800 chars) of extracted publisher body, fair-use limited. |
| Summary | WeSearch · cerebras-chat (WeSearch summarizer) |
| Summary source text | contentText |
| Citation coverage | Summary is a WeSearch-generated derivative; primary citation is the original publisher URL. |
| Cluster | 8BJtK4xKzu1Y |
| Cluster logic | Grouped by semantic title/content similarity across sources within a rolling window. Same-publisher template collisions are excluded from coverage comparison. |
| Ranking reason | Story pages are not engagement-ranked. Hub feeds use recency, with optional source-diversified chronological ordering (cap consecutive stories per source). No personalized ranking. |
| Publisher visit | Yes — open original |
| Substitutes article? | No — link-out required for full text |
Rights status (four layers)
WeSearch handling by dimension
| Indexing | May the item be indexed (stored, ranked, made findable)? | Allowed |
| Snippet | May a short excerpt of the publisher's text be shown? | Allowed |
| AI summary | May WeSearch generate its own short summary of the article? | Limited |
| Retrieval / RAG | May the content be exposed for third-party retrieval-augmented generation? | Not asserted |
| Model training | May the content be used to train AI models? | Not asserted |
| Commercial reuse | May the content be reused commercially? | Not permitted |
Basis: Derived from the published RSS/Atom feed. Contact: [email protected]. Reviewed: 2026-07-24.
Opening excerpt (first ~120 words) tap to expand
ShareSave for laterPlease log in to bookmark this story.Log InCreate Free AccountImagine that one of your closest relatives is too busy to attend a family funeral and sends their assistant, a stranger, instead. What would they think of you at your rawest and most vulnerable, and how would you feel about them? That actually happened to the writer, director and actor Jim Rash, when his sister’s assistant came to his father’s funeral. And – since Rash has a long habit of carrying his phone to family events so he can jot down the choice things they say -- now it’s the premise of his new film Miss You, Love You, arriving May 29 on Crave/HBO Max.
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Excerpt limited to ~120 words for fair-use compliance. The full article is at The Globe and Mail.