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Literature amid lies

Literature amid lies

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The dossier, first compiled in the 1990s, is seen by Borsellino’s family as the missing link that may explain why he was killed only 57 days after Falcone and who gave the orders. This decision has reignited Italy’s unresolved debate over how far the Mafia were enabled by collusion between organised crime, business, banking, the Church and the State. This is mainly down to the release in February of biographer Caroline Moorehead’s A Sicilian Man: Leonardo Sciascia, the Rise of the Mafia and the Struggle for Italy’s Soul.

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The Critic publishes from United Kingdom and files mainly under politics. We currently carry 69 of its stories.

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The Critic
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Record

Original publisherThe Critic
Canonical URLhttps://thecritic.co.uk/literature-amid-lies/
Publication timeSun, 24 May 2026 01:00:04 +0000
Retrieval time2026-05-24T01:27:28.688Z
Last seen2026-05-24T01:27:29.601Z
Headline sourcePublisher (no WeSearch rewrite)
Excerpt sourcepublisher body
Excerpt methodFirst ~120 words (~800 chars) of extracted publisher body, fair-use limited.
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Publisher visitYes — open original
Substitutes article?No — link-out required for full text

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Basis: Derived from the published RSS/Atom feed. Contact: [email protected]. Reviewed: 2026-07-24.

Opening excerpt (first ~120 words) tap to expand

In April, the Caltanissetta Public Prosecutor’s Office asked the investigating judge to archive the “mafia and public contracts” branch of the long-running probe into the 1992 bombings that killed anti-mafia judges Giovanni Falcone and Paolo Borsellino that marked the bloody apex of Cosa Nostra’s decades-long war on the Italian state. The dossier, first compiled in the 1990s, is seen by Borsellino’s family as the missing link that may explain why he was killed only 57 days after Falcone and who gave the orders. This decision has reignited Italy’s unresolved debate over how far the Mafia were enabled by collusion between organised crime, business, banking, the Church and the State.

…

Excerpt limited to ~120 words for fair-use compliance. The full article is at The Critic.

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