Looking for Blackness in a Personal, Private Way
You have a preview view of this article while we are checking your access. Suddenly a Chicago-born photographer named Rashid Johnson and an Ethiopian-born painter named Julie Mehretu were in everyone’s sights. It’s summed up in the descriptive phrase “post-Black art,” coined by Thelma Golden, co-curator of “Freestyle” and for years now the Studio Museum’s director and chief curator.Some alumni of the “F” shows at the Studio Museum in Harlem.
- ▪You have a preview view of this article while we are checking your access.
- ▪Suddenly a Chicago-born photographer named Rashid Johnson and an Ethiopian-born painter named Julie Mehretu were in everyone’s sights.
- ▪It’s summed up in the descriptive phrase “post-Black art,” coined by Thelma Golden, co-curator of “Freestyle” and for years now the Studio Museum’s director and chief curator.Some alumni of the “F” shows at the Studio Museum in Harlem.
NYT — Arts files mainly under culture. We currently carry 146 of its stories.
Story provenance
Source · retrieval · rights · ranking — open for full record
inspect →
Story provenance
Attribution is not the same as permission. This drawer separates discovery metadata, excerpts, WeSearch-generated summaries, reuse status, and whether the publisher receives the visit. Nothing here claims a legal grant the publisher has not made.
Record
| Original publisher | NYT — Arts |
| Canonical URL | https://www.nytimes.com/2026/05/21/arts/design/fade-studio-museum-harlem-review.html |
| Publication time | Thu, 21 May 2026 09:04:31 +0000 |
| Retrieval time | 2026-05-21T09:21:10.393Z |
| Last seen | 2026-05-21T09:21:14.455Z |
| Headline source | Publisher (no WeSearch rewrite) |
| Excerpt source | publisher body |
| Excerpt method | First ~120 words (~800 chars) of extracted publisher body, fair-use limited. |
| Summary | WeSearch · cerebras-chat (WeSearch summarizer) |
| Summary source text | contentText |
| Citation coverage | Summary is a WeSearch-generated derivative; primary citation is the original publisher URL. |
| Cluster | 1QdgRjkM21FX |
| Cluster logic | Grouped by semantic title/content similarity across sources within a rolling window. Same-publisher template collisions are excluded from coverage comparison. |
| Ranking reason | Story pages are not engagement-ranked. Hub feeds use recency, with optional source-diversified chronological ordering (cap consecutive stories per source). No personalized ranking. |
| Publisher visit | Yes — open original |
| Substitutes article? | No — link-out required for full text |
Rights status (four layers)
WeSearch handling by dimension
| Indexing | May the item be indexed (stored, ranked, made findable)? | Allowed |
| Snippet | May a short excerpt of the publisher's text be shown? | Allowed |
| AI summary | May WeSearch generate its own short summary of the article? | Limited |
| Retrieval / RAG | May the content be exposed for third-party retrieval-augmented generation? | Not asserted |
| Model training | May the content be used to train AI models? | Not asserted |
| Commercial reuse | May the content be reused commercially? | Not permitted |
Basis: Derived from the published RSS/Atom feed. Contact: [email protected]. Reviewed: 2026-07-24.
Opening excerpt (first ~120 words) tap to expand
You have a preview view of this article while we are checking your access. When we have confirmed access, the full article content will load.Art ReviewA Landmark Show Returns, Looking for Blackness in a Personal WayThe sixth edition of the Studio Museum in Harlem’s group survey is political but inwardly focused, operating at a quieter metabolism.From “Fade,” at the Studio Museum in Harlem, Antonio Darden’s mural-size photograph, “Untitled (Reclining Figure),” 2025.Credit...Guarionex Rodriguez for The New York TimesSkip to contentSkip to site indexArt ReviewA Landmark Show Returns, Looking for Blackness in a Personal WayThe sixth edition of the Studio Museum in Harlem’s group survey is political but inwardly focused, operating at a quieter metabolism.From “Fade,” at the Studio Museum in…
Excerpt limited to ~120 words for fair-use compliance. The full article is at NYT — Arts.
Discussion
0 commentsMore from NYT — Arts
