Pawel Pawlikowski’s Historical Stunner ‘Fatherland’ Is About Far More Than Thomas Mann — It’s About Today’s Own Fissures
Pawel Pawlikowski's film 'Fatherland' explores the complexities of post-World War II Germany through a family road trip narrative. The film features a strong performance by Sandra Hüller, who is a contender for Best Actress at Cannes. It delves into themes of trauma and ideological division while drawing parallels to contemporary issues.
- ▪'Fatherland' is Pawel Pawlikowski's seventh feature film and has received positive reactions at Cannes.
- ▪The film centers on the relationship between Nobel Laureate Thomas Mann, his daughter Erika, and son Klaus.
- ▪Pawlikowski has created a narrative that reflects on the collapse of Europe and its psychological implications.
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| Original publisher | IndieWire |
| Canonical URL | https://www.indiewire.com/features/interviews/pawel-pawlikowski-fatherland-interview-cannes-1235194482/ |
| Publication time | Mon, 18 May 2026 13:00:00 +0000 |
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Pawel Pawlikowski‘s seventh feature “Fatherland” came into the Cannes Competition with high expectations, and judging from audience and critical reaction, it should win a prize or two. Sandra Hüller is a frontrunner for Best Actress, having just won that award in Berlin for “Rose.” After all, this is the Polish filmmaker behind Oscarnominee “Cold War” (2018) and Oscar winner “Ida” (2013). And, given that “Fatherland” also parses European history through complicated characters, and is filmed in black-and-white in the Academy ratio, Pawlikowski grants that he has unintentionally fashioned a trilogy.
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