The Laugh’s on Hollywood
The article discusses the decline of comedy in Hollywood, attributing it to a shift towards politically correct humor. It highlights the absence of genuine laughter in recent productions and critiques the current state of comedy. The author points out that while the audience for traditional humor remains, the producers have shifted away from it.
- ▪The Late Show with Stephen Colbert's finale signifies a decline in comedic quality in Hollywood.
- ▪The last great comedy film was Tropic Thunder in 2008, before the rise of politically correct humor.
- ▪Will Ferrell and Jim Carrey, once prominent comedic figures, have struggled to find success in the current entertainment landscape.
The American Spectator files mainly under politics. We currently carry 159 of its stories.
Story provenance
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Story provenance
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Record
| Original publisher | The American Spectator | USA News and Politics |
| Canonical URL | https://spectator.org/the-laughs-on-hollywood/ |
| Publication time | Mon, 25 May 2026 02:19:52 +0000 |
| Retrieval time | 2026-05-25T02:22:35.218Z |
| Last seen | 2026-05-25T02:22:35.218Z |
| Headline source | Publisher (no WeSearch rewrite) |
| Excerpt source | publisher body |
| Excerpt method | First ~120 words (~800 chars) of extracted publisher body, fair-use limited. |
| Summary | WeSearch · cerebras-chat (WeSearch summarizer) |
| Summary source text | contentText |
| Citation coverage | Summary is a WeSearch-generated derivative; primary citation is the original publisher URL. |
| Cluster | None |
| Cluster logic | Not yet clustered, or no peer story found in the clustering window. |
| Ranking reason | Story pages are not engagement-ranked. Hub feeds use recency, with optional source-diversified chronological ordering (cap consecutive stories per source). No personalized ranking. |
| Publisher visit | Yes — open original |
| Substitutes article? | No — link-out required for full text |
Rights status (four layers)
WeSearch handling by dimension
| Indexing | May the item be indexed (stored, ranked, made findable)? | Allowed |
| Snippet | May a short excerpt of the publisher's text be shown? | Allowed |
| AI summary | May WeSearch generate its own short summary of the article? | Limited |
| Retrieval / RAG | May the content be exposed for third-party retrieval-augmented generation? | Not asserted |
| Model training | May the content be used to train AI models? | Not asserted |
| Commercial reuse | May the content be reused commercially? | Not permitted |
Basis: Derived from the published RSS/Atom feed. Contact: [email protected]. Reviewed: 2026-07-24.
Opening excerpt (first ~120 words) tap to expand
The long whimpering finish of The Late Show with Stephen Colbert last week confirmed a sad truth. Hollywood killed comedy. A century of laughter provoked by comic geniuses — Chaplin, Keaton, Laurel and Hardy, the Marx Brothers, Fields, Hope, Brooks, Martin, Carrey, and Saturday Night Live alumni (Belushi, Aykroyd, Murray, Murphy, Sandler, Ferrell, Myers, Stiller) ended in the first decade of this one. Mirth has either been missing from the screen since 2010 or reduced to conservative man-bashing, as on every late-night show. The latter is questionably rewarded by “clapter,” the former depends on mocking the now unmockable — to Hollywoke if not the audience.And there’s no end in sight to the comedy.
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Excerpt limited to ~120 words for fair-use compliance. The full article is at The American Spectator | USA News and Politics.
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