
The Teen Portraits That Captivated Sofia Coppola
In 1973 he started teaching darkroom-photography classes at Malverne High. He found that showing kids how to make their own prints, the inextinguishable magic of watching pictures emerge from a chemical developer, was a way to spark interest and connect with students who often seemed more disaffected from school than he remembered ever having been himself. “They’d be, like, I’m staying in this class; I’ve got to be able to do this thing with a camera,” Szabo, who is now eighty-two, told me recently.
- ▪In 1973 he started teaching darkroom-photography classes at Malverne High.
- ▪He found that showing kids how to make their own prints, the inextinguishable magic of watching pictures emerge from a chemical developer, was a way to spark interest and connect with students who often seemed more disaffected from school t
- ▪“They’d be, like, I’m staying in this class; I’ve got to be able to do this thing with a camera,” Szabo, who is now eighty-two, told me recently.
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| Original publisher | The New Yorker |
| Canonical URL | https://www.newyorker.com/culture/photo-booth/the-teen-portraits-that-captivated-sofia-coppola |
| Publication time | Mon, 28 Sep 2026 17:41:28 +0000 |
| Retrieval time | 2026-09-28T18:21:44.492Z |
| Last seen | 2026-09-28T18:21:44.492Z |
| Headline source | Publisher (no WeSearch rewrite) |
| Excerpt source | publisher body |
| Excerpt method | First ~120 words (~800 chars) of extracted publisher body, fair-use limited. |
| Summary | WeSearch · cerebras-chat (WeSearch summarizer) |
| Summary source text | contentText |
| Citation coverage | Summary is a WeSearch-generated derivative; primary citation is the original publisher URL. |
| Cluster | ofFPKlX3liy4 · 1 stories |
| Cluster logic | Grouped by semantic title/content similarity across sources within a rolling window. Same-publisher template collisions are excluded from coverage comparison. |
| Ranking reason | Story pages are not engagement-ranked. Hub feeds use recency, with optional source-diversified chronological ordering (cap consecutive stories per source). No personalized ranking. |
| Publisher visit | Yes — open original |
| Substitutes article? | No — link-out required for full text |
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| Indexing | May the item be indexed (stored, ranked, made findable)? | Allowed |
| Snippet | May a short excerpt of the publisher's text be shown? | Allowed |
| AI summary | May WeSearch generate its own short summary of the article? | Limited |
| Retrieval / RAG | May the content be exposed for third-party retrieval-augmented generation? | Not asserted |
| Model training | May the content be used to train AI models? | Not asserted |
| Commercial reuse | May the content be reused commercially? | Not permitted |
Basis: Derived from the published RSS/Atom feed. Contact: [email protected]. Reviewed: 2026-07-24.
Opening excerpt (first ~120 words) tap to expand
Photo BoothThe Teen Portraits That Captivated Sofia CoppolaJoseph Szabo’s pictures capture American adolescents’ spontaneous presence and loose-limbed, insouciant grace.By Margaret TalbotSeptember 26, 2026Photographs by Joseph SzaboSave this storySave this storySave this storySave this storyThe photographer Joseph Szabo’s pictures in the new book “American Teen” look timeless in certain ways—the crisp black-and-white of the images, the stately framing, the instantly recognizable, casual but charged, proximity of teen-agers hanging out, arms slung over their friends’ shoulders, heads tipped together, close enough to smell one another’s shampoo.
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Excerpt limited to ~120 words for fair-use compliance. The full article is at The New Yorker.