‘Everytime’ Review: An Intriguingly Understated Grief Drama Delivers Its Best Moments a Bit Too Late
The film 'Everytime' by Sandra Wollner explores the aftermath of a family's tragedy following the sudden death of a teenager named Jessica. While the film is delicately crafted and showcases moments of genuine unease, its subtle narrative may leave viewers wanting more. Ultimately, the emotional impact arrives late, making it feel somewhat overwhelming when it does.
- ▪The film follows a family of three women dealing with the loss of a daughter and sister.
- ▪Jessica's death is shrouded in ambiguity, leaving the reasons for her passing unclear.
- ▪The narrative focuses on how each family member copes with the tragedy over time.
The Hollywood Reporter files mainly under film tv. We currently carry 405 of its stories.
Story provenance
Source · retrieval · rights · ranking — open for full record
inspect →
Story provenance
Attribution is not the same as permission. This drawer separates discovery metadata, excerpts, WeSearch-generated summaries, reuse status, and whether the publisher receives the visit. Nothing here claims a legal grant the publisher has not made.
Record
| Original publisher | The Hollywood Reporter |
| Canonical URL | https://www.hollywoodreporter.com/movies/movie-reviews/everytime-review-sandra-wollner-1236595288/ |
| Publication time | Tue, 19 May 2026 23:22:15 +0000 |
| Retrieval time | 2026-05-19T23:34:58.611Z |
| Last seen | 2026-05-19T23:34:58.611Z |
| Headline source | Publisher (no WeSearch rewrite) |
| Excerpt source | publisher body |
| Excerpt method | First ~120 words (~800 chars) of extracted publisher body, fair-use limited. |
| Summary | WeSearch · cerebras-chat (WeSearch summarizer) |
| Summary source text | contentText |
| Citation coverage | Summary is a WeSearch-generated derivative; primary citation is the original publisher URL. |
| Cluster | McCYSPAyPyo8 |
| Cluster logic | Grouped by semantic title/content similarity across sources within a rolling window. Same-publisher template collisions are excluded from coverage comparison. |
| Ranking reason | Story pages are not engagement-ranked. Hub feeds use recency, with optional source-diversified chronological ordering (cap consecutive stories per source). No personalized ranking. |
| Publisher visit | Yes — open original |
| Substitutes article? | No — link-out required for full text |
Rights status (four layers)
WeSearch handling by dimension
| Indexing | May the item be indexed (stored, ranked, made findable)? | Allowed |
| Snippet | May a short excerpt of the publisher's text be shown? | Allowed |
| AI summary | May WeSearch generate its own short summary of the article? | Limited |
| Retrieval / RAG | May the content be exposed for third-party retrieval-augmented generation? | Not asserted |
| Model training | May the content be used to train AI models? | Not asserted |
| Commercial reuse | May the content be reused commercially? | Not permitted |
Basis: Derived from the published RSS/Atom feed. Contact: [email protected]. Reviewed: 2026-07-24.
Opening excerpt (first ~120 words) tap to expand
'Everytime' Cannes Film Festival Share on Facebook Share on X Google Preferred Share to Flipboard Show additional share options Share on LinkedIn Share on Pinterest Share on Reddit Share on Tumblr Share on Whats App Send an Email Print the Article Post a Comment Austrian auteur Sandra Wollner’s haunting second feature, The Trouble With Being Born, was an impressive genre-bending thriller that played like an episode of Westworld directed by Michael Haneke. Quietly mesmerizing and altogether demented, it told the story of a child robot who finds herself in the care of a man with major — and I mean MAJOR — issues. It’s not worth spoiling that movie, which is currently available on Mubi and definitely deserves a look.
…
Excerpt limited to ~120 words for fair-use compliance. The full article is at The Hollywood Reporter.
Discussion
0 commentsMore from The Hollywood Reporter
