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The Indies Are Dying. Long Live the Indies

Scott Roxborough· ·6 min read · 0 reactions · 0 comments · 25 views
#independent film#film industry#streaming#financing#cannes
The Indies Are Dying. Long Live the Indies
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The independent film industry is undergoing a significant transition as traditional financing models, particularly the pay-one television window, collapse under pressure from streaming platforms. With fewer high-budget pre-sales and declining buyer interest at markets like Cannes, producers are turning to alternative funding and distribution strategies. One emerging model focuses on building community-driven audiences, as demonstrated by companies like Watermelon Pictures that prioritize engaged, underserved viewers over conventional market mechanisms.

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The Hollywood Reporter files mainly under film tv. We currently carry 405 of its stories.

Original article
The Hollywood Reporter · Scott Roxborough
Read full at The Hollywood Reporter →
Opening excerpt (first ~120 words) tap to expand

(L to R): 'Club Kid', Markiplier in 'Iron Lung,' 'The Chosen,' 'Palestine 36' Cannes Film Festival/Markiplier/Courtesy Everett Collection/Mike Kubeisy/mk2 films/ Lucky Number Share on Facebook Share on X Google Preferred Share to Flipboard Show additional share options Share on LinkedIn Share on Pinterest Share on Reddit Share on Tumblr Share on Whats App Send an Email Print the Article Post a Comment Let’s be honest: Business is slow. At this point in a typical Cannes Film Market, there would usually be at least a handful of big deals, a bidding war or two. Instead, crickets. The hallways of the Palais des Festivals are busy enough — there are plenty of packages on offer and buyers and sellers are making the rounds.

Excerpt limited to ~120 words for fair-use compliance. The full article is at The Hollywood Reporter.

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