IndieWire
‘Mārama’ Review: Gothic Revenge Horror Channels the Fury and Grace of New Zealand’s Māori People
The film 'Mārama' is a gothic revenge horror that explores the historical trauma faced by the Māori people during the…
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‘Jim Queen’ Review: Raunchy Animated Movie About a Disease That Turns Gay Men Heterosexual Plays Straight to Its Core Audience
The animated film 'Jim Queen' explores a fictional disease called 'heterosis' that turns gay men heterosexual. Set in…
IndieWire
‘Outlander’ Showrunner Breaks Down the Series Finale —but Won’t Explain the Ending
Matthew B. Roberts, the showrunner of 'Outlander,' discusses the series finale and the mixed feedback from fans. The…
IndieWire
‘Hope’ Review: Na Hong-jin’s Blockbuster Creature Feature Is Undone by a Terrible Script and Some of the Worst CGI Since ‘The Mummy Returns’
Na Hong-jin's film 'Hope' is reportedly the most expensive movie ever made in Korea, with a budget rumored to be…
IndieWire
‘Another Day’ Review: A Fantastic Adèle Exarchopoulos Boozes Her Way Through a By-the-Numbers Addiction Drama
Adèle Exarchopoulos stars in Jeanne Herry's addiction drama 'Another Day,' portraying a struggling stage actress with…
IndieWire
‘Avedon’ Review: Ron Howard’s Portrait of an Icon Who Shot Portraits of Icons
Ron Howard's documentary 'Avedon' explores the life and work of iconic photographer Richard Avedon. The film combines…
IndieWire
‘Colony’ Review: Yeon Sang-ho’s Latest Zombie Saga Paints Civilizational Collapse with Too Broad a Brush
Yeon Sang-ho's latest film, 'Colony,' explores a zombie outbreak with a focus on communication among the undead. The…
IndieWire
‘I’ll Be Gone in June’ Review: Two Teenagers Grapple with Otherness in Katharina Rivilis’ Spellbinding 9/11 Time Capsule
Katharina Rivilis' film 'I’ll Be Gone in June' explores the experiences of two teenagers against the backdrop of…
IndieWire
Who Will Win the Cannes Film Festival Palme d’Or?
Several films have emerged as strong contenders for the Palme d'Or at the 2024 Cannes Film Festival, with notable buzz…
IndieWire
‘The Beloved’ Review: Javier Bardem Is a Hotheaded Director in Spanish Daughter-Daddy Drama in Search of a Better Script
Javier Bardem stars as Esteban Martinez, a volatile and acclaimed filmmaker attempting a comeback by casting his…
IndieWire
‘Paper Tiger’ Review: Adam Driver Gives a Career-Best Performance in James Gray’s Devastating Tragedy
James Gray's 'Paper Tiger' is a deeply personal and mythic exploration of the American Dream, centered on a…
IndieWire
Asghar Farhadi Lives in Iran, but Won’t Make Movies There
Asghar Farhadi has returned to the Cannes Competition with his film 'Parallel Tales,' inspired by Krzysztof…
IndieWire
How Aleshea Harris Combined Influences from Across History to Create Her Tragic, Absurd Debut ‘Is God Is’
Aleshea Harris, a playwright and first-time film director, transformed her Obie Award-winning play 'Is God Is' into a…
IndieWire
‘The Diary of a Chambermaid’ Review: Radu Jude Delivers a Surprisingly Touching Meta-Adaptation
Radu Jude's adaptation of 'The Diary of a Chambermaid' offers a unique blend of farce and emotional depth. The film…
IndieWire
‘Atonement’ Review: Emotionally Powerful Anti-War Film Shows That Bullets Fire Both Ways
'Atonement' is a deeply emotional anti-war film that focuses on the human cost of U.S. military actions in Iraq…
IndieWire
‘Sheep in the Box’ Review: A Married Couple Adopt a Robot Copy of Their Dead Son in Hirokazu Koreeda’s Emotionally Stilted Riff on ‘A.I.’
Hirokazu Koreeda's 'Sheep in the Box' follows a grieving couple who adopt a robot replica of their deceased son,…
IndieWire
‘Forever Your Maternal Animal’ Review: Three Costa Rican Women Are Adrift in Valentina Maurel’s Ambiguously Rousing Family Drama
Valentina Maurel's 'Forever Your Maternal Animal' follows three Costa Rican women navigating personal and familial…
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