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Page 18 of Film Tv headlines on WeSearch — deduped and updated continuously from 6+ editorial sources.
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Miley Cyrus Reveals Favorite ‘Hannah Montana’ Episode, Her Dream Cover Song and Advice for Younger Self: ‘Be Present Enough to Remember’
THE HOLLYWOOD REPORTER
‘Reggie Dinkins’: How Tracy Morgan and His ‘30 Rock’ Pals Scored Another Touchdown
INDIEWIRE
‘Saccharine’ Review: Natalie Erika James’ Gross-Out Body Horror Is Stuffed with Great Effects and Way Too Many Ideas
THE HOLLYWOOD REPORTER
Tom Hardy’s ‘Mobland’ Future in Limbo Over On-Set Behavior
THE HOLLYWOOD REPORTER
‘The Mandalorian and Grogu’ Munch on $12 Million in Thursday Previews
THE HOLLYWOOD REPORTER
Mika Abdalla on Allie’s Season 1 Journey and Sweet Interactions With ‘Off Campus’ Fans
THE HOLLYWOOD REPORTER
Park Chan-Wook’s ‘Brigands of Rattlecreek,’ Fernando Meirelles’ ‘Art’ Seal Int’l Pre-Sales Deals
DEADLINE
‘The Brigands of Rattlecreek’, ‘Bitcoin’ & ‘Art’ Secure Deals For 193 In Cannes; Output Deals Incoming?
INDIEWIRE
Leo Woodall Is Entering His Movie Star Era
THEWRAP
‘The Mandalorian and Grogu’ Launches to $12 Million at Thursday Box Office
THE HOLLYWOOD REPORTER
Cristian Mungiu on ‘Fjord,’ Polarization and Why Liberal Societies Need to Doubt Themselves
INDIEWIRE
Léa Seydoux Pushes Boundaries Again with Two Shocking Cannes Films — She Could Win the Fest’s Best Actress Prize
THE HOLLYWOOD REPORTER
Trump Celebrates Colbert’s Exit From CBS, Says of Other Late Night Hosts “May They All Rest in Peace!”
VARIETY
Tom Sturridge on Ira Sachs’ ‘The Man I Love,’ Finding the ‘Physical Language’ of His On-Screen Relationship With Rami Malek and Joining Mia Hansen-Løve’s Next Film
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Nicolas Cage’s ‘Spider-Noir’ Is a Beautiful Bore: TV Review
VARIETY
‘Peaky Blinders’ Sequel First Look: Charles Shelby is All Grown Up as ‘Stranger Things’ Star Charlie Heaton Steps Into the Role of Tommy’s Son
THE HOLLYWOOD REPORTER
‘Spider-Noir’ Review: Nicolas Cage’s Eccentricities Boost By-the-Numbers Storytelling in Amazon’s Spider-Man-Adjacent Drama
THE HOLLYWOOD REPORTER
Xavier Becerra Reveals Hollywood Plan: Ban Streamers from Withholding Data (Exclusive)
THE HOLLYWOOD REPORTER
‘Peaky Blinders’: First Look at ‘Stranger Things’ Star Charlie Heaton as Charles Shelby in New Era for Hit Drama
INDIEWIRE
‘Spider-Noir’ Review: Nicolas Cage Slings Peak Strangeness in Amazon’s Slick Spider-Man Spinoff
THEWRAP
‘Spider-Noir’ Review: Nicolas Cage Marvels in One of the Year’s Top TV Treats
VARIETY
Canadian Grand Prix 2026: Here’s Where to Watch F1 Online for Free
INDIEWIRE
Jean Smart’s Deborah Vance Is So Powerful That Bob Mackie Hand-Delivered Her ‘Hacks’ Episode 9 Jumpsuit
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Valeska Grisebach on Subverting the Western Genre in Cannes Palme d’Or Contender ‘The Dreamed Adventure’
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Olivia Rodrigo Is Heartsick Again With ‘The Cure’ and, Well, That’s a Little More Like It: Single Review
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Trump Celebrates ‘Total Jerk’ Colbert’s CBS Exit; Late-Night Host Once Told President ‘Go F— Yourself’
VARIETY
Globo to Launch Soccer-Themed, Vertical Microdrama ‘Quando O Coração Entra Em Campo’ in August (EXCLUSIVE)
DEADLINE
Cannes Hit ‘La Bola Negra’ Posts First Clip As Elástica Films Sets October 2026 Release In Spain
VARIETY
Sony Pictures Classics Acquires Cannes’ Documentary Prizewinner ‘Rehearsals for a Revolution’
DEADLINE
International Insider: Cannes Wraps; Dark Side Of ‘MAFS’; French Revolution
DEADLINE
Sony Pictures Classics Picks Up Cannes Iran Documentary ‘Rehearsals For A Revolution’
THE GUARDIAN — FILM
The Mandalorian and Grogu shows Star Wars is a cursed franchise – on the big screen at least
VARIETY
‘Congo Boy’ Review: Congolese Filmmaker Rafiki Fariala Finds Poetry in the Chaos of War Displacement
VARIETY
Cannes Palm Dog Award Goes to Yuri, Chilean Rescue Dog and Star of ‘Le Perra’
THE HOLLYWOOD REPORTER
Tales From amfAR’s $20 Million Cannes Fundraising Gala, Featuring Rami Malek and Heidi Klum
DEADLINE
‘Rehearsals For A Revolution’ Wins L’Oeil D’Or Prize For Top Documentary At Cannes
DEADLINE
Lukas Dhont On Subverting The War Film Genre With Cannes Title ‘Coward’: “Male Bonding Has Too Often Been Used As A Tool To Destroy”
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Rodrigo Teixeira, Milagros Mumenthaler and Rodrigo Sorogoyen to Deliver Masterclasses and Talks at Madrid ECAM Forum Co-Pro Market
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Ken Loach’s Sixteen Films Boards Elham Ehsas’ Afghan Astronaut Doc ‘Forgotten Spaceman’ (EXCLUSIVE)
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Huma Qureshi on ‘Toxic,’ a Sign-Language Assassin Film She Produced Herself and Why She Won’t Play ‘the Impoverished Brown Woman With a Problem’
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Christina Hendricks, Naomie Harris Set for New Legal Drama ‘Reputation’ From BBC
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The Fantastic Organization – Led by Xavier Gens – Launches at Cannes to Make Sure ‘The Next Generation Has Everything They Need to Keep Screaming’
DEADLINE
‘Star Wars: Mandalorian & Grogu’ Flying Around $12M In Thursday Night Previews – Box Office
DEADLINE
Penélope Cruz Describes Lengthy Ovation Following ‘La Bola Negra’ Premiere As The “Most Powerful” Moment She Has Experienced At Cannes
THE HOLLYWOOD REPORTER
Co-opting the “Hollywood Machine to Tell Different Kinds of Stories”: Liam Young on His Immersive Experience ‘In Other Worlds’
DEADLINE
Emilia Fox To Dig Into True Crime At Deadline’s Reality TV Summit — SXSW London
VARIETY
‘One Piece’ Producer Fujimura Charts Japanese IP’s Rise From Manga Magazines to Hollywood Mega-Franchises
DEADLINE
It Took 22 Years, But The Story Of Che Guevara’s Last Companions In Arms Is Finally Being Told – Cannes Film Festival
VARIETY
‘Paranormal Activity’ Producer Steven Schneider Boards Debut Horror ‘Recluse’ Ahead of Tribeca Bow (EXCLUSIVE)
DEADLINE