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Recent film-tv headlines from The Hollywood Reporter.
THE HOLLYWOOD REPORTER
Kicking the Cannes: No Fun at the Beach for Dealmakers This Year
THE HOLLYWOOD REPORTER
‘Masters of the Universe’: First Reactions From the Premiere
THE HOLLYWOOD REPORTER
Mandy Moore Reacts to Toxic Mom Group Drama With Ashley Tisdale: “Very Upsetting”
THE HOLLYWOOD REPORTER
‘Fjord’ Review: Sebastian Stan and Renate Reinsve in Cristian Mungiu’s Absorbingly Thorny Account of Parents Under Investigation
THE HOLLYWOOD REPORTER
Mark Fuhrman, Former LAPD Detective Involved in O.J. Simpson Murder Trial, Dies at 78
THE HOLLYWOOD REPORTER
Spencer Pratt Casts Himself as Nonpartisan. Republicans Are Steering His Campaign
THE HOLLYWOOD REPORTER
Tubi Nabs ‘Scooby-Doo’ Anime Series From Warner Bros. Animation
THE HOLLYWOOD REPORTER
The ‘Is God Is’ Ending Had People “Yelling” in Screenings — Just as Director Aleshea Harris Would Like It
THE HOLLYWOOD REPORTER
‘Very Young Frankenstein’ Lives at FX With Series Order
THE HOLLYWOOD REPORTER
Marvel Comics Shake-Up: TV Chief Brad Winderbaum Takes on Publishing as Veteran Dan Buckley Exits
THE HOLLYWOOD REPORTER
Disney Hit With Class Action Over Facial Recognition Technology at Park Entrances
THE HOLLYWOOD REPORTER
‘Obsession’ Filmmaker Curry Barker Just Released His First Hit Movie. He’s Ready to Get Back to His Bedroom and Edit the Next One
THE HOLLYWOOD REPORTER
‘Harry Potter’ Season 2 Will Recast Ginny Weasley After Actress Departs
THE HOLLYWOOD REPORTER
Sony Pictures TV Buys Majority Stake in ‘The Valley,’ ‘Vanderpump Rules’ Producer 32 Flavors
THE HOLLYWOOD REPORTER
Sam Lerner, Camille Hyde, Nikola Djuricko to Star in Comedic Thriller ‘Jacob and the Wolf’ (Exclusive)
THE HOLLYWOOD REPORTER
X Is Making a Major Creator Push, Launching Ad Product to Connect Brands and Users (Exclusive)
THE HOLLYWOOD REPORTER
Na Hong-jin’s ‘Hope’: First Reactions From the Premiere
THE HOLLYWOOD REPORTER
‘Death Becomes Her’ to End Broadway Run
THE HOLLYWOOD REPORTER
‘Just in Time’ Recoups $12.5M Broadway Investment
THE HOLLYWOOD REPORTER
Jafar Panahi to Again Face Trial in Iran on “Propaganda” Charges
THE HOLLYWOOD REPORTER
Set-Jetting 2026: The Hollywood Insider’s Guide to Europe’s Most Cinematic Escapes
THE HOLLYWOOD REPORTER
Tracee Ellis Ross to Make Broadway Debut in ‘Every Brilliant Thing’
THE HOLLYWOOD REPORTER
Cate Blanchett Reveals Mo Amer, Bao Nguyen, ‘Palestine 36’ Director Annemarie Jacir as Displacement Film Fund Recipients in Cannes
THE HOLLYWOOD REPORTER
‘Orange-Flavoured Wedding’ Is All About Family and “How Emotions Flow Between Its Members,” Says Christophe Honoré (Exclusive Cannes Clip)
THE HOLLYWOOD REPORTER
‘I F***ing Love Actresses!’ Julianne Moore Gives Feminist Battle Cry at Kering’s Women in Motion Dinner
THE HOLLYWOOD REPORTER
‘Goodbye Cruel World’ Director and His Star, and ‘Anatomy of a Fall’ Breakout, on Exploring the “Omertà Around Bullying” (Exclusive Cannes Clip)
THE HOLLYWOOD REPORTER
Connor Storrie in ‘April X,’ Films by Gorillaz, Kit Harington and EP Jane Fonda Set for Raindance
THE HOLLYWOOD REPORTER
A24 Win Bidding War for ‘Club Kid’
THE HOLLYWOOD REPORTER
‘Madame’ Takes Us Inside Paris’ Opulent Golden Triangle and a Gilded Cage (Exclusive Cannes Clip)
THE HOLLYWOOD REPORTER
‘Shogun’ Star Tadanobu Asano Returns to Cannes in Yukiko Sode’s Arresting Romance ‘All the Lovers in the Night’
THE HOLLYWOOD REPORTER
Three Films in Competition, a Thriving Box Office and the Envy of Europe: Spain Is Having Its Moment
THE HOLLYWOOD REPORTER
Christopher Nolan Says ‘The Odyssey’ Is “The Most Extreme Version” of the Story He Could Make
THE HOLLYWOOD REPORTER
John Oliver Mocks Trump’s Ballroom Plans (Again) and His Contradictory Claims Over the Reflecting Pool Upgrades
THE HOLLYWOOD REPORTER
Shania Twain and Shaboozey Lead ACM Awards Audience in Wishing Willie Nelson a Happy 93rd Birthday
THE HOLLYWOOD REPORTER
‘Another Day’ Review: Adèle Exarchopoulos Shines as a Woman Under the Influence in an Otherwise Loose-Limbed Portrait of a Functioning Alcoholic
THE HOLLYWOOD REPORTER
Ella Langley Performs “Be Her” at 2026 ACM Awards
THE HOLLYWOOD REPORTER
Freddie Highmore Reteams With David Shore for ‘I’m Not Here to Hurt You’ Drama
THE HOLLYWOOD REPORTER
ACM Awards: Winners List (Updating Live)
THE HOLLYWOOD REPORTER
‘Jim Queen’ Review: Bawdy French Animated Gay Comedy Tells Too Many Old Jokes
THE HOLLYWOOD REPORTER
Wild ‘Hope’ Livens Up Sleepy Cannes
THE HOLLYWOOD REPORTER
How Bad Bunny Inspired Artist Edra Soto’s Plastic Chairs Art
THE HOLLYWOOD REPORTER
‘Hope’ Review: Korean Action Maestro Na Hong-jin’s Rip-Roaring Sci-Fi Creature Feature Has Instant Cult Classic Written All Over It
THE HOLLYWOOD REPORTER
Canal+ Head Says He Will Blacklist Talents Who Petitioned Against Right-Wing Billionaire Owner
THE HOLLYWOOD REPORTER
‘Avedon’ Review: Ron Howard’s Admiring Profile of Groundbreaking Photographer Richard Avedon Embraces His Genius, Flair and Mystery
THE HOLLYWOOD REPORTER
Dan Levy on Filming ‘Big Mistakes’ Drug Scene and “Doing Lines and Lines of Cocaine”
THE HOLLYWOOD REPORTER
Barbra Streisand Unable to Attend Cannes Closing Ceremony After Suffering Knee Injury
THE HOLLYWOOD REPORTER
The Night ‘Pan’s Labyrinth’ Changed Cannes Forever
THE HOLLYWOOD REPORTER
‘Nemesis’ Creator Courtney A. Kemp on Making Her Explosive Netflix Debut and Crafting a Finale That Ushers in a Season 2
THE HOLLYWOOD REPORTER
As Hollywood Pulls Back, Northern Ontario Steps Up
THE HOLLYWOOD REPORTER