Goddess Saraswati without veena: Sculptures of Pallava, Chola era reveal an earlier iconography
Explore how early sculptures of Goddess Saraswati in Tamil Nadu reveal her iconography before the veena became her defining symbol.
Opening excerpt (first ~120 words) tap to expand
At the Arthamandapam of the Gangaikondacholapuram Temple, just outside the sanctum sanctorum, stands an unusual image of Goddess Saraswati—one that is notably without the veena, the musical instrument now regarded as her defining attribute.Seated in padmasana with four arms, the deity is identified as Saraswati by the suvadi (manuscript) she holds in one hand and the akka mala (rudraksha rosary) in another. The remaining two hands hold an ankusha (goad) and a pasha (noose), iconographic features rarely associated with conventional representations of the Goddess.“She is one of the war trophies brought to Tamil Nadu following the Cholas’ northern campaign. The image originally belonged to the Pala dynasty,” according to R.
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Excerpt limited to ~120 words for fair-use compliance. The full article is at The Hindu — Top.